Screen-Shot-2015-01-19-at-9.58.54-PM.png?resize=600%2C407&ssl=1' alt='Best Software To Edit Nikon Raw Files Recovery' title='Best Software To Edit Nikon Raw Files Recovery' />Digital Film Scanners Nikon Super Coolscan 4. ED Film Scanner Review, Information, and Specifications. Digital Camera Home. Nikon Super Coolscan 4. ED Film Scanner. Nikon Super Coolscan 4. ED Film Slide ScannerDrum scanner quality, plus amazing Digital ICE cubed defect removal, grain and color processing Original Review Date April 1. Manufacturer Overview. Nikon Inc. was arguably the first company to really figure out the bizarre color qualities of color negative film, as seen in its first film scanner, released about a decade ago. This point might be subject to some argument, but the original Nikon film scanner was the first that we saw that could consistently create good looking scans from a variety of color negative film emulsions. From that early position, they continued to innovate, and have consistently maintained a commanding position in the high end proprosumer scanning market. Back in mid 1. 99. Nikons Super Coolscan 2. Imaging Resource. At the time, the LS 2. Now, Nikon has raised the bar again, with a complete series of new scanners ranging from the purely consumer model Super Coolscan IV, through the new Super Coolscan 4. ED, to the high end, medium format Super Coolscan 8. Well eventually cover all three products, but elected to start out with the Super Coolscan 4. ED in this review. Highlights. The new Super Coolscan 4. ED incorporates a number of enhancements over the previous generation, and further blurs the line between whats attainable with affordable desktop scanners versus the 1. Heres a list of some of the key features of the Super Coolscan 4. ED True uninterpolated 4. IEEE 1. 39. 4 Fire. Wire interface, with card included for Mac or Windows. New Scanner Nikkor ED high resolution lens, using extra low dispersion glass. Products that ingest into DNG files. This category illustrates the growing exploitation of the commandline interface to the DNG Converter from 3. Learn why RAW is the format you should be setting your camera to for the best quality and most flexible processing. This blog post will go over 10 important reasons. Optional full 4. 8 bit 1. TIFF file output preserves maximum image data. Best Software To Edit Nikon Raw Files Recovery' title='Best Software To Edit Nikon Raw Files Recovery' />Multi sample scanning for even lower noise on critical dense images. Digital ICE scratchdust removal technology you have to see this to believe it. Digital ROC for color restoration of old, faded negatives. Digital GEM for grain reduction without loss of image detail. Sophisticated color management system supports ICC profiling. Looking for the best and cheapest photo recovery software We have expert reviews and feature comparisons of the top photo software. Photography and Camera News, Reviews, and Inspiration. Review The Nikon D850s Negative Digitizer Isnt Ready for Prime Time. Public debate around the governments ability to access encrypted files exploded in 2015 when Apple fought the US government over its requests to unlock a. The worlds fastest software for RAW conversion, RAW photo editing, RAW photo workflow and non destructive editing. The Basics. The Super Coolscan 4. ED is a compact desktop package that can operate in either of two orientations. Most users who dont advantage of the optional automatic slide feeder attachment will likely operate the unit standing upright, in which case it takes up about as much desktop real estate as a thick book. At 3. 7 x 6. 6 x 1. The Super Coolscan 4. ED is a Fire. Wire IEEE 1. A single version is sold for both Mac and PC platforms, including an IEEE 1. Mac and PC driver software supplied with the unit. The Super Coolscan 4. EDs maximum resolution is 4. Thats a lotof pixels, about 6. MB in 8 bit mode, 1. MB when saved as a 4. Out of the box, the Super Coolscan 4. ED comes equipped for scanning both 3. An APS adapter and automatic 3. All adapters can be hot swapped, in that they can be changed without powering down the scanner or requiring any special operations in software. In practice, we found this a very useful feature, as we could switch between slides and negatives very rapidly, without interrupting our workflow. We did not have the opportunity to try either the APS adapter, the automatic slide feeder, or the roll film feeder, but the batch capabilities of the 3. Bit depth is an important characteristic of digital scanners, affecting both color accuracy and tonal density range. Black In The Crack 3 Download more. At 1. 4 bits per channel, the Super Coolscan 4. ED is at the top of the field, but stretches even this specification by providing an option to average multiple measurements of each pixel, up to 1. Well discuss this capability in greater detail later, but suffice to say that it provides a noise level in images of dense slides or negatives equivalent to a 1. Nikon rates the maximum optical density capability of the Super Coolscan 4. ED as 4. 2, and we have no reason to quibble with this figure. In part because we have no adequate way to measure this parameter However, the Super Coolscan 4. EDs performance does appear to easily exceed that of scanners weve used in the past that were rated at a D max of 3. The scanner uses three color LEDs to illuminate the film, a design unique to Nikon, as far as we know. The LEDs have very well controlled light characteristics, and arent subject to the fading of conventional color filter materials. The LED light source is also somewhat collimated the light waves travel in relatively straight lines, which produces very sharp scans, but also has a tendency to emphasize scratches, dust, and film defects. Though the unique Digital ICE technology see below gives the Super Coolscan 4. Documentation for the Super Coolscan 4. ED is quite extensive and, to the best of our recollection, a good bit more convenient than that of the LS 2. Both scanners include a very complete manual on the CD, in Adobe Acrobattm format, but the Super Coolscan 4. ED also includes a roughly 1. The printed manual is complete enough and well enough written that we really found no need to venture into the electronic version. Kudos to Nikon, we really appreciate not having to spend time printing out an electronic manualKey Features. The new Nikon Super Coolscan 4. ED scanner is by any measure one of the most sophisticated products weve reviewed to date. Well cover these in more detail below, but thought it worth calling attention to a few of the Super Coolscan 4. EDs key features at the top of the review. Overall, theres no question that the Super Coolscan 4. ED sets a new standard for desktop scanners in the sub 2,0. By just about every measure resolution, image sharpness, dynamic range, features, or accessories, the Super Coolscan 4. Here are a few of the key points 4. Resolution. In all our prior scanner reviews, the highest resolution wed encountered in a film scanner was on the order of 2. Since the film grain was fairly evident at that resolution, our feeling was that there was little purpose in going to even higher resolutions, since it seemed all this would do is further emphasize the film grain. We have to say though, that the Super Coolscan 4. ED disabused us of that notion. To be sure, film grain is more evident at a full 4. Combine this with the Digital GEM grain management technology embodied in the Super Coolscan 4. ED, and its 4. 00. The high resolution is further enhanced by the Super Coolscan 4. EDs new optics, using Nikons special extra low dispersion ED optical glass, which reduces chromatic aberration and improves image sharpness. We dont have a good objective test that would highlight the performance of scanner optics per se, but it was our impression that the scans produced by the Super Coolscan 4. ED were distinctly sharper and crisper than those of the already excellent LS 2. Some comment has been made on the internet about corner to corner sharpness with the Super Coolscan 4. ED. We observed a slight softness in the corners, but didnt feel it was extreme, or to the point that it posed a problem. On our resolution target, the edge definition of elements in the corners of the frame was really about as good as those in the center. We felt that the corner softness was most noticeable in the less defined grain pattern from the film in the corners. The images above were cropped from a 4. Kodak ISO 2. 00 color negative film. Cassini Took One Last Look at a Mysterious Glitch in Saturns Rings Before It Died. Peggy is something along the edge of Saturns ring, a glitch whose source weve never seen. Cassini took a last peek at Peggy during its Grand Finale destructive plunge, adding a final piece to the puzzle for future researchers to pore over when trying to understand this mysterious disturbance. Cassini project veteran Carl Murray of Queen Mary University of London recalls his first sighting of the ring glitch, in early 2. He was studying an image of Saturns moon Prometheus at the outside edge of the A ring, deliberately exposed to show the background stars. We saw this kind of bump glob feature object whatever, he told me last week, during the lunch break of the Cassini final Imaging Team meeting, as we chatted at the Huntington Botanical Gardens near Caltech. We obviously wanted to know, Was it real said Murray. He and his team quickly checked previous images of the area, and now that they knew what they were looking for, they kept finding that strange, stepped out glitch in the otherwise smoothly curving edge of the A ring. The day I found it was my mother in laws birthday, Murray recalled, so he named it Peggy in her honor. It seemed appropriate. Soon, the teams questions about Peggy expanded What is it Where did it come from Where is it going he explained. Weve been tracking it almost ever since. Murray and his colleagues realized the glitch must be caused by an object embedded in the rings. Weve never actually resolved the object, Murray said. All we can do is track the glitch. Measuring the size of the disturbance, he quickly realized it couldnt possibly be a solid moon. It would be a massive Titan size moon, Murray explained. If a moon that size was there, it would be totally disrupting the ring. Instead, he figured it must be a dense cloud of dust and debris, possibly encompassing a proto moon that hasnt yet broken free as an independent object. As the mysterious object drifts closer to and farther from Saturn within the rings, it causes the glitch along the outer edge to change speeds. By measuring the speed of the glitch, we can measure the orbital parameters of the object, Murray explained. Including Peggy in Cassinis final six images of the Saturn system was partly sentimental, but the spacecraft was also collecting valuable scientific information. Every image we get which should contain Peggy is yet another data point that will help us understand what it is, where it is, where its come from, and where its going to go even when were not around to take images any more, Murray said. The fact that its one of the last images from Cassini is touching, but were doing it for science. But tracking an object when you dont know what exactly that object is can be tricky. Cassinis imaging team has found Peggy time and time again, but not always where and when they expected it. Sometimes you see it, sometimes you dont, Murray said with a sigh. This uncertainty made planning the final image tricky. We actually gave Peggy a large margin of error because its a bit wayward sometimes. Adding to the complexity of the shot, Cassini was on the far side of the system, shooting the rings from across the planet. This means the resolution was lower at 2. Peggys characteristic glitch will only be a few hundred pixels in the image. Murray and his team stayed up late Thursday night waiting for the raw images to download. They brought everything they needed to analyze Peggy right away, working off nervous energy before joining others in standing vigil for Cassinis final moments. When I checked in with him via email on Friday, Murray was optimistic but uncertain Cassini had successfully found Peggy one final time, writing, I would like to think that it is in the one that also contains Daphnis, a tiny moon of Saturn that lies within the Keeler Gap of Saturns A ring, he said, before linking me to the raw image. Kevin Gill stayed up late on Thursday processing Cassinis final images for release on Friday morning. I couldnt find Peggy in the data though Im still looking, he told me, confirming the glitch is being characteristically difficult to identify. Peggys probably there, I just havent found exactly where yet. Im used to every day going to the computers when the images come down to just look for fun stuff, like Peggy explained Murray. Its going to take me awhile to get used not getting to see these images every day. Cassinis mission is done, and its raw image gallery will never have a new update. But Murray, his postdoc, and the rest of the mission scientists still have fruitful years ahead of them poking through thirteen years of data and trying to understand this beautiful, complex Saturnian system. Perhaps, theyll even come to understand Peggy a little bit better.